4 unbalanced stereo/mono Line inputs 1 stereo/mono “sub” line input to Stereo mixing bus.
Left/Center/Right switch assigns Mic/Line and Line inputs to Group or Stereo outputs, or independently to Aux and Cue outputs.
All inputs have On/Off switch that shuts off signal to Stereo and Aux outputs, but not signal assigned to Cue output.
Mono source linked to right stereo channel is fed to left channel as well.
Automatic Mic/Line input compressor with front panel indicator activates at 3dB below clipping.
Mic/Line inputs feature switchable + 24F DC phantom power and switchable high pass microphone mode filter.
Channel switch with easy-to-see indicator for each input improves S/N ratio and simplifies operation.
Optional input transformers available for long wire runs or for ground isolation.
Five sets of outputs, each with its own level control: Stereo main, stereo Group, mono Aux, stereo Cue/Monitor and mono Sum mix of main Stereo output.
Four-step stereo/group send selection switch (“Stereo to Group’VGroup to Post Stereo Output Control”/”Group to Stereo Bus’VOff”) means Stereo and Group outputs can be alternately assigned as sub-groups to each other, without affecting their own output signals.
Cue/Monitor output has capability to: monitor Stereo output, act as independent mixer via Cue bus, or operate as L/R mono Cue to pre listen to any combination of inputs.
Up/Down remote control of motorized Stereo and Group output volume controls via momentary contact switches.
Ramped 5V DC output for remote visual level indicator.
This amplifier matches the needs for noiseless operation through air-cooling. Its ideal suitable in studios, small theatres, cabarets, churches, conference- and multimedia rooms etc. Multiple protection circuits care for stable operation and a protection cover in front of the volume controls avoids inadvertant changings.