ES-0871

ES-0871 2-Way Speaker System (Discontinued)

M-66

M-66 Multi-Route Unit (Discontinued)

  • Unit functions as 6-input/6-output splitter, mixer or microphone head amplifier.
  • Front-panel selector switch allows different functions to be simultaneously assigned to different channels, allowing a wide range of signal configurations.
  • MIC/LINE level selector switch and 20 dB PAD on each input channel make possible a wide range of precise signal settings, from microphone to line levels.
  • Connection of multiple M-66 units increases number of input and output channels.
  • Electrically-balanced inputs and outputs (No.1: Ground; No.2: Hot No.3: Cold).
  • Security cover prevents accidental changes in settings.
  • Mountable on 2-unit size EIA standard equipment rack.
M-1212E

M-1212E Stereo Mixing Consoles (Discontinued)

  • Can be used as a stand-alone mixer or as an expander for the M-1264.
  • Twelve Mic/Line inputs identical to those on M-1264, and with the same assignment capabilities.
  • Six mix buses each feed a line output (without output level controls): Stereo main, stereo Group, mono Aux and mono Cue.
  • No sub-group switching for stereo outputs or sub input.
  • Supplied bus link cable allows one or more M-1212Es to be linked as expander(s) for M-1264, so all mix buses are connected and carry the same signal, for multiple isolated outputs for each mix bus.
  • Unit occupies up only 2 rack spaces.
  • Security cover provided.
M-1264

M-1264 Stereo Mixing Consoles (Discontinued)

  • Eleven sets of inputs, including: 6 electronically balanced mono Mic/Line inputs
  • 4 unbalanced stereo/mono Line inputs 1 stereo/mono “sub” line input to Stereo mixing bus.
  • Left/Center/Right switch assigns Mic/Line and Line inputs to Group or Stereo outputs, or independently to Aux and Cue outputs.
  • All inputs have On/Off switch that shuts off signal to Stereo and Aux outputs, but not signal assigned to Cue output.
  • Mono source linked to right stereo channel is fed to left channel as well.
  • Automatic Mic/Line input compressor with front panel indicator activates at 3dB below clipping.
  • Mic/Line inputs feature switchable + 24F DC phantom power and switchable high pass microphone mode filter.
  • Channel switch with easy-to-see indicator for each input improves S/N ratio and simplifies operation.
  • Optional input transformers available for long wire runs or for ground isolation.
  • Five sets of outputs, each with its own level control: Stereo main, stereo Group, mono Aux, stereo Cue/Monitor and mono Sum mix of main Stereo output.
  • Four-step stereo/group send selection switch (“Stereo to Group’VGroup to Post Stereo Output Control”/”Group to Stereo Bus’VOff”) means Stereo and Group outputs can be alternately assigned as sub-groups to each other, without affecting their own output signals.
  • Cue/Monitor output has capability to: monitor Stereo output, act as independent mixer via Cue bus, or operate as L/R mono Cue to pre listen to any combination of inputs.
  • Up/Down remote control of motorized Stereo and Group output volume controls via momentary contact switches.
  • Ramped 5V DC output for remote visual level indicator.
  • Front panel Cue/Monitor output headphone jack.
  • Unit occupies up only 2 rack spaces.
  • Security cover provided.
E-232

E-232 Channel 2 / 3 Octave Graphic Equaliser (Discontinued)

  • 14 filters on ISO 2 / 3 octave centre frequencies from 40Hz to 16kHz.
  • Continuously variable independent6dB or 12dB boost or cut at each channel’s centre frequency.
  • Active bandpass / bandreject summed in parallel filters with minimum phase shift.
  • Noiseless centre detent slide controls with precision calibrated linear scales.
  • Continuously variable highpass filter with wide control range.
  • EQ In / Out switch for manually bypassing equaliser.
  • Automatic EQ bypass circuitry activates at power loss.
  • LED peak indicator monitoring of input and output levels, for proper gain structuring.
  • Optional isolation transformer (LT-101) converts unbalanced inputs to balanced inputs.
  • Security cover is provided.
E-1231

E-1231 1 Channel 1 / 3 Octave Graphic Equaliser (Discontinued)

  • Single channel, 28 band, ISO 1 / 3 octave, 12dB boost / cut centre frequency graphic.
  • Noiseless centre detent slide controls with precision calibrated linear scales.
  • Continuously variable, high quality, minimum phase shift high and low pass filters with wide control ranges and Filter In / Out switch.
  • Switchable EQ In / Out and auto AC power outage Eq bypass.
  • Selectable 6dB / 12dB, 2.5kHz to 30kHz variable lowpass filter.
  • Variable 15Hz to 300Hz, 12dB per octave highpas filter.
  • LED input / output peak indicator level monitoring for poper gain structuring.
  • Variable ± 12dB input level control for a variety of input levels and sources.
  • Standard security cover and available optional input (LT-101) and output (LT-102) transformers.
DX-0808

DX-0808 Analog Matrix Unit (Discontinued)

  • Digitally controlled 8 x 8 analog matrix unit for routing, distribution, level control and mixing of signal.
  • 8 input channels, 8 output channels and 8 signal buses.
  • 64 switching matrix points with level control from 8 signal buses to 8 signal outputs.
  • Cross fade possible when changing matrix pattern.
  • Number of input and output channels expandable with multiple unit configurations for 32 inputs and outputs. (Each DX-0808 requires two YA-8 connection cables for expansion).
  • Signal routing and level setting can easily be made with PC control software and stored into 16 onboard memories.
  • Preset routing and signal level can be easily recalled for operation by using memory switch or memory control input / output while the unit is diconnected from the PC.
  • Up to 30 units (including the DP / DX / DI units) can be connected to the same network (RS-485) and controlled by a single PC.
  • Both RS-232C and RS-485 communication ports are provided.
  • System lock and password protection.
AC-F1

AC-F1 Electronic Control Units (Discontinued)

  • Active feedback from speaker lines allows individual limiters to prevent speaker damage due to either long term heating or over excursion.
  • Time offset correction, channel division, phase correction throughout crossover range and CD horn compensation.
  • Dynamic equalisation reduces the gain of the most ear sensitive frequencies (3 ~ 4kHz) when sound pressure levels are extremely high, for a smoother, more dynamic sound.
  • Highest quality transducer components minimise equalisation and compensation.
  • Crossover curve selection for speaker ceiling suspension.
AC-L1

AC-L1 Electronic Control Units (Discontinued)

  • Active feedback from speaker lines allows individual limiters to prevent speaker damage due to either long term heating or over excursion.
  • Time offset correction, channel division, phase correction throughout crossover range and CD horn compensation.
  • Dynamic equalisation reduces the gain of the most ear sensitive frequencies (3 ~ 4kHz) when sound pressure levels are extremely high, for a smoother, more dynamic sound.
  • Highest quality transducer components minimise equalisation and compensation.
  • Crossover curve selection for speaker ceiling suspension
P-120D

P-120D 2 Channel Power Amplifier (Discontinued)

  • This amplifier matches the needs for noiseless operation through air-cooling. Its ideal suitable in studios, small theatres, cabarets, churches, conference- and multimedia rooms etc. Multiple protection circuits care for stable operation and a protection cover in front of the volume controls avoids inadvertant changings.